
Hollywood, We Have a Problem: Ridley Scott Says Weâre âDrowning in Mediocrityâ â And He Might Be Right
đŹÂ Maybe Itâs Time for a Renaissance. Or PerhapsâŚÂ NYwood? đđĽ
âThe quantity of movies that are made todayâliterally, globally, millions. And most of it is shit.â
â Ridley Scott, age 87, cinematic legend, destroyer of boredom.
đż The Director Who Alien-ated Mediocrity
At 87, Ridley Scott could be quietly sipping tea in the English countryside. Instead, heâs still taking Hollywood to school â and apparently, to detention.
The director of Alien, Gladiator, and Blade Runner recently told an audience at Londonâs BFI Southbank that heâs struggling to find good movies these days. His words? Brutally honest, delightfully British:
âWeâre drowning in mediocrity. Millions of movies â and 80% of it is⌠eh.â
He even confessed that heâs been rewatching his own films lately because they âdonât age.â (Honestly, if youâd made Alien and Blade Runner, youâd do that too. Thatâs like Picasso saying, âYou know what? My old doodles still slap.â)
đž CGI, Scripts, and the Curse of Shiny Nothingness
Scott blames part of the problem on technology.
âToo many movies today are saved by digital effects,â he said, âbecause what they havenât got is a great script.â
Translation: Hollywoodâs been busy rendering pixels instead of writing paragraphs.
And heâs got a point â explosions canât fix a bad screenplay. You canât CGI your way out of a plot hole the size of the Death Star.
đĽ Ridleyâs Reality Check: The Math of Mediocrity
Hereâs Scottâs cinematic math:
đ§Ž
-
80%: Mediocre sludge đ
-
15%: Watchable
-
5%: Genuinely great
Even if his fractions donât add up, his frustration does. In an era of infinite content, quality has become the rarest special effect of all.
đď¸ Enter⌠NYwood? The Reboot We Deserve?
If Hollywood is stuck in sequel mode, maybe another city can take the reins.
Imagine NYwood: where every movie has actual dialogue, grit, and coffee-fueled neurosis. đâ
Ridley might just nod approvingly while someone films a heartfelt monologue in a cramped Brooklyn apartment â as long as itâs got a script.
đ Letâs Be Fair: Some Recent Movies Still Rocked
Sure, weâre drowning in meh, but a few life rafts are floating:
đď¸ Modern Classics Worth the Popcorn:
-
Mad Max: Fury Road â chaos with a purpose
-
Inception & Interstellar â Nolan bending time and space (again)
-
The Revenant â An Alejandro G. Iùårritu masterpiece + Leo vs. bear đť
-
Parasite â capitalismâs most entertaining roast
-
Get Out â the horror of small talk made literal
-
Her â when your operating system has better emotional intelligence than your ex
-
đŹ Moonlight, La La Land, The Social Network, Ex Machina, Inside Out, The Grand Budapest Hotel, Django Unchained, This Is The End (for fun), Sputnik (for thrills), Smile (for scares) â proof that cinema still has a pulse đ (and maybe even good taste left in the reel).
Even Scottâs own Blade Runner 2049 reboot by Denis Villeneuve was pure dystopian poetry.
So maybe the problem isnât movies â itâs the assembly line. The art of film is still alive; itâs just buried under 47 Marvel sequels and another âlive-actionâ remake of something that didnât need it.
đĽ Why Ridleyâs Rant Matters
Because when a director who gave us Gladiator says the industry needs to fight for its soul, we should probably listen.
His message isnât anti-innovation â itâs pro-craft. Great storytelling starts with great writing. You canât âfix it in postâ if it was broken in the first draft.
And letâs be real: the last time a new idea made a billion dollars, it probably starred Tom Cruise running in slow motion. đâď¸đ¨
đ˝ The Takeaway: Art Is Not a Franchise
Hollywood doesnât need another cinematic universe. It needs a creative one.
Maybe thatâs what Scottâs getting at â fewer sequels, more substance.
Less âcontent,â more cinema.
More screenwriters, fewer spreadsheets.
Or as the man himself might say: âGet it on paper first.â đđĽ
The Odds of Dying a Particular Death Are OddâAnd Guessing Them Even Odder
đ Suggested External Sources
1ď¸âŁ Variety â âRidley Scott Slams Modern Movies as âDrowning in Mediocrityââ
As Variety dutifully reports â before ducking under the nearest boom mic â Ridley Scott thinks we're "drowning in mediocrity.â
Someone hand this man a lifeboat⌠or maybe just a typewriter.
2ď¸âŁ The Hollywood Reporter â âRidley Scott: Movies Have Lost Their Soulâ (or similar coverage)
Even The Hollywood Reporter joined the cinematic therapy session, noting Scottâs lament that modern blockbusters look great but feel empty.
Translation: the lights are on, but nobodyâs writing at home.
Check this out too:
RogerEbert.com â Essays on âWhat Makes a Great Filmâ
And if youâd like to remember what soulful storytelling looks like, revisit Roger Ebertâs reflections on what makes movies timeless.
Spoiler: itâs not lens flare.
đĽ
đ§ FAQ â Film Fan Edition
đŹ Q: Is Ridley Scott just being a grumpy old director?
A: Probably â but heâs earned it. When youâve made Alien and Gladiator, you get to critique mediocrity while sipping espresso on a space throne. âđ
đĄ Q: Are there still great movies today?
A: Absolutely. They often come from outside major studios. Look for indie films, international cinema, and auteurs who still believe story > spectacle.
đď¸ Q: Could NYwood really rival Hollywood?
A: Maybe not geographically, but spiritually? Every filmmaker with a dream and a DSLR is already part of the revolution. đĽ
đڏâď¸ Q: What can fans do?
A: Support originality. Stream less âcontent,â watch more cinema. And if the plot sucks â say so (politely).
⥠Quick Take / TL;DR
Ridley Scott says modern movies are âdrowning in mediocrity.â Heâs not wrong. Too many sequels, not enough soul. Maybe itâs time for a Renaissance â or perhaps for NYwood to take the stage. đđŞÂ
đ§žâ ď¸đ˘ FUN Disclaimer đ§žâ ď¸đ˘
This article contains traces of sarcasm, nostalgia, and popcorn butter. đż
We love Ridley Scott â but please donât throw your Marvel box set into the recycling bin just yet.
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